Les œuvres de Vincent Beaurin sont des témoins, tranquilles, telluriques, rayonnants. Les couleurs ne sont ni signalétiques ni symboliques mais émotionnelles et atmosphériques ; les formes ne sont pas complexes mais élémentaires et organiques ; le sens n’est jamais transcendant mais immanent. Tout est là, donné à voir, manifeste, comme au petit matin d’un jour de canicule ou au lendemain mouillé d’un orage grandiose. Les paysages, les climats, le monde minéral, le cycle du soleil forment l’horizon d’un artiste de la contemplation qui réconcilie dans ses œuvres peinture et sculpture, surface et volume, textures et contours, présence à soi et réflexion sur l’espace. Car il ne s’agit pas seulement de créer, il faut également montrer, organiser l’articulation des œuvres entre elles au sein de dispositifs qui les révèlent, les mettent en relation et leur permettent d’englober le spectateur, de le dépasser pour mieux l’intégrer. Il s’agit également de favoriser la remise en jeu des catégories « traditionnelles » de l’expérience esthétique : le socle, le cadre, la couleur, l’univocité, l’œuvre et son hors-champ, comme le démontre le corpus récent des « Organismes » (2019-2022) où chaque toile, présence apaisante à l’échelle de nos corps, ne se perçoit que dans un échange dynamique avec l’élément tridimensionnel qui l’accompagne, formant ainsi un organisme ouvert et vibrant.Les œuvres de Vincent Beaurin font partie des collections du MNAM - Musée national d'art moderne - Centre Georges Pompidou ; du FNAC - Fonds national d'art contemporain ; du MUDAM, Musée d'art moderne, Grand-Duc Jean, Luxembourg ; de LVMH, Cheval Blanc Randheli et Christian Dior Couture ; de la Fondation Cartier pour l'art contemporain; d’Agnès B, du MAD - Musée des Arts Décoratifs, de la collection du Mobilier National.
The works of Vincent Beaurin are witnesses, quiet, telluric, radiant.The colors are neither signal nor symbolic but emotional and atmospheric; the forms are not complex but elementary and organic; the meaning is never transcendent but immanent. Everything is there, given to see, manifest, as in the early morning of a hot day or the wet aftermath of a grandiose storm. Landscapes, climates, the mineral world, the cycle of the sun form the horizon of an artist of contemplation who reconciles in his works painting and sculpture, surface and volume, textures and contours, presence and reflection on space. For it is not only a question of creating, it is also necessary to show, to organize the articulation of the works between them within devices which reveal them, put them in relation and allow them to include the spectator, to exceed it for better integrating it. It is also a question of encouraging the questioning of the "traditional" categories of the aesthetic experience: the base, the frame, the color, the univocity, the work and its off-field, as demonstrated by the recent corpus of "Organismes" (2019-2022) where each canvas, a soothing presence on the scale of our bodies, is perceived only in a dynamic exchange with the three-dimensional element that accompanies it, thus forming an open and vibrant organism.The works of Vincent Beaurin are part of the collections of the MNAM - National Museum of Modern Art - Center Georges Pompidou; FNAC - National Fund for Contemporary Art; MUDAM, Museum of Modern Art, Grand-Duc Jean, Luxembourg; from LVMH, Cheval Blanc Randheli and Christian Dior Couture; the Cartier Foundation for Contemporary Art; by Agnès B, from the MAD - Musée des Arts Décoratifs, from the Mobilier National collection.
The works of Vincent Beaurin are witnesses, quiet, telluric, radiant.The colors are neither signal nor symbolic but emotional and atmospheric; the forms are not complex but elementary and organic; the meaning is never transcendent but immanent. Everything is there, given to see, manifest, as in the early morning of a hot day or the wet aftermath of a grandiose storm. Landscapes, climates, the mineral world, the cycle of the sun form the horizon of an artist of contemplation who reconciles in his works painting and sculpture, surface and volume, textures and contours, presence and reflection on space. For it is not only a question of creating, it is also necessary to show, to organize the articulation of the works between them within devices which reveal them, put them in relation and allow them to include the spectator, to exceed it for better integrating it. It is also a question of encouraging the questioning of the "traditional" categories of the aesthetic experience: the base, the frame, the color, the univocity, the work and its off-field, as demonstrated by the recent corpus of "Organismes" (2019-2022) where each canvas, a soothing presence on the scale of our bodies, is perceived only in a dynamic exchange with the three-dimensional element that accompanies it, thus forming an open and vibrant organism.The works of Vincent Beaurin are part of the collections of the MNAM - National Museum of Modern Art - Center Georges Pompidou; FNAC - National Fund for Contemporary Art; MUDAM, Museum of Modern Art, Grand-Duc Jean, Luxembourg; from LVMH, Cheval Blanc Randheli and Christian Dior Couture; the Cartier Foundation for Contemporary Art; by Agnès B, from the MAD - Musée des Arts Décoratifs, from the Mobilier National collection.